Based on Asian & French Horror within World Cinema.
Thanks for checking out my site. Here’s what I sent over to the previous person who asked.
1)What, in your opinion, are the main conventions of a modern French horror?
Well my first real French horror movie was Haute Tension (high tension). I met the director Alexandre Aja and got to briefly speak with him.
It seems he was influenced by Lucio Fulci’s work so I guess french horror has gained its momentum from Italian horror.
I guess the first convention that seems most prominent is the home invasion. High Tension, Them (Ils) (more so than ever as the American version The Strangers seems to have the same premise), Inside and even Frontiere(s) have this same horror convention.
I’m an American so I don’t really know if this is a deep fear within the French culture but if it plays on that fear….I guess it works.
I think the 2nd convention is the French horror allusion to “others” as evil and maniacal.
It seems the French riots in 2005 have deemed Muslims as others. In Frontiere(s), it seems they play on the borderland rural french community.
But French horror seems to be an homage to the splatter of old. Good ole solid gore and carnage.
American horror has been PG-13 of late which sucks for us but I see the savagery of the new wave of French horror filmmakers seems to be going in that direction. There’s a new french horror film called Martyrs that follows the same suit.
2)What, in your opinion, are the main conventions of a modern Asian horror?
Asian horror mainly from Japan and Thailand is generally centered on the supernatural. Folk tales, old ghost stories seem to be the main focus with films such as the Ring and others.
Also, the Japanese seem to be focused on using their own society problems to make horror movies (bullying, sexual perversion, etc.)
I’m sure you could find loads of info on asian horror but those 2 would be the main conventions.
3)As you can see from your blog, who have seen a great many horror/zombie film! What do you think makes Asian (mainly Japanese) and French horror so different?
The japanese horror films are less on gore and more on the psychological. A creeping hand on the back of your neck for a quick scare. A mysterious phone call. Japanese horror is all about death in the future. Whereas French horror is more immediate.
4)I have read that J-horror mainly focuses on psychological horror and tension building, would you agree with this statement?
Yes. As I said above, it’s about atmosphere and using modern technology we use everyday that engulfs most japanese horror.
Possessed internet, videotape or notebook that kills. Every japanese movie is not abot the quick kills…its the building of 2-3 several deaths that make it memorable.
5)How many films do you know of featuring a Yurei?
I do know Yurei are japanese ghosts.
Ring, Ju on, Dark Water, One Missed Call, Shikoku, Spiral, The Grudge, Shutter all have this same premise.
I really didn’t like One Missed Call or any of these. Though I did like the Ring alot.
6)Why do you think that lately there have been such a great amount of French horror films being released?
Honestly, I think most French filmmakers make horror films to get into the Hollywood market. Aja made Hills Have Eyes remake. Others are following as well.
I think American horror is very bad right now. We’re in remake city and it comepletely fuckin sucks. So many freakin remakes it makes me sick.
French horror movies and I’ve seen most of them are awesome because of their atmosphere, various chilling scenes and all out splatter and gore. No cut aways. Just buckets of guts and blood.
American horror fans love that stuff. We appreciate it.
Only one American movie has come close (Hatchet)
I’ve written a lot of French horror reviews. You should check it out (my reviews are more humorous than your straight forward “real” critic review.
http://jadedviewer.com/2008/04/inside-review.html
http://jadedviewer.com/2008/05/frontieres-review.html
If you’ve got any other questions, let me know
Tags: A2 Media, asian, conventions, critical research, french, horror, interview, J-horror, jaded viewer, japanese, primary research, world cinema